I recently discovered the very first image I created, which was initially a test…

I recently discovered the very first image I created, which was initially a test to explore the iDevice as a medium to connect more deeply with nature. This exploration eventually led me to study the Anhui painters of China and delve into the rich tradition of Chinese painting, particularly the ShanShui (山水) or 'mountain-water' style.

Understanding my motivations to connect with nature and fostering a similar immersive experience for my audience has been enlightening. As the Melbourne-based artist and academic, Michael Graeve, insightfully points out: "blurring, the shake, and the double-take, all so that we can fall into the image as you fall into the landscape."

This artistic quest has also introduced me to profound poetry. In China, there is Shanshui poetry, which naturally complements the 'mountain-water' painting style. Meanwhile, in Japan, I was discovered the poet Taigu Ryokan. His words were the inspiration behind "The Winter Sun", made in Japan (2023).

The latest evolution of my project is more technical, focusing on technique-based development. By studying ShanShui painting, I've been exposed to specific brush techniques and methodologies. Understanding these techniques and their significance to ancient practitioners has enhanced my practice. Two brush techniques have particularly captured my attention:

Gong Bi (工笔): Detailed style. This meticulous technique employs multiple layers and tones to produce intricate images.

Run Miao (润描): Wet outlining. This involves creating outlines with a wet brush, letting the ink spread subtly on the paper.

From my perspective, these techniques serve as "anchor points" within the image. While some areas of my paintings exude the softness and blurriness of the "boneless" technique—a method dominated by ink washes without clear outlines—the more defined Gong Bi and Run Miao styles create contrast. They draw the viewer closer, inviting them to scrutinize concealed details.

The image I present today is a test piece, a 'working drawing' that I'm eager to share as part of this ongoing exploration.

Images: Full Image, details , one to show my experimentation with Gong Bi & the other the boneless technique