This series sits between states—between what is seen and what is remembered, what…

This series sits between states—between what is seen and what is remembered, what is real and what is imagined. The images emerge not from the world directly, but from what persists in the mind after the world has receded.

They are built from eigengrau—the grey we see in darkness, produced not by light but by the brain itself. In that space, memory and imagination become indistinguishable. These works inhabit that threshold.

Each image begins in something real: a leaf, a trace, a gesture of light. But as the image unfolds, it drifts inward—layered, uncertain, slow. The result is not documentation, but a kind of visual memory: soft, incomplete, yet emotionally exact.

This is not a record of the world.
It is what the world leaves behind in us.